BUCKHAM GALLERY
  • Home
  • Exhibitions
    • January Solo Exhibitions >
      • Crawl Space | Guen Montgomery
      • Portraits of Home | Whitney Lea Sage
      • Interior Visions: Domestic Sphere | Stephanie Serpick
    • In Conversation
    • Exhibition Opportunities >
      • Small Works Exhibition
      • Teeth & Hair
      • PRESENTATION GUIDELINES
    • 2022-2023 Exhibition Schedule
    • Selected Past Exhibitions >
      • Early Winter Exhibitions >
        • Empty Road, Great Tornado - Emmett Merrill
        • Nice Things for Nice People - Kate Snow
        • Recent Work - Michael Melet
      • November Exhibition >
        • Buckham Artist Collaborators
        • On Screen: A Showcase
      • 101 Artists
      • Ojichaagwan Vessels- Guy Adamec
      • Caution: May Contain Nudity >
        • Donovan Entrekin
        • Friends
      • Summer Exhibitions >
        • Heidi Brueckner
        • Craig Hinshaw
        • Michael Weigman
      • Early Summer Exhibitions >
        • Barriers & Preservers | Margaret Davis
        • Endless Endeavors | Benjamin Muñoz
      • BIPOC is The Theme! >
        • BIPOC Artists for Feature Exhibition
        • Viewing Room
      • Late Winter Exhibitions >
        • Dialectics and the Decommodified: The Spectres of Capital- Morgan Craig
        • Textures of the Southwest- Robert Huebel
        • All the Pretty Little Horses- Chris Waters
      • Small Talk >
        • Viewing Room
      • December Exhibitions >
        • Horizons | Emily Legleitner
        • Indexing Schizophrenia | Diane Zeeuw
        • Seeking Solace | Rebecca Zeiss
      • Black & White
      • Entropy >
        • Viewing Room
      • Late Summer Exhibitions >
        • Hyper-Tension: Matthew Owen Wead
        • Nigrescence Comics: Kenish Magwood
      • Summer Exhibitions >
        • Beastly Luster: Kelly Boehmer
        • No Dark In Sight: Bill Davis
        • Penchant: Devan Horton
      • Early Summer Exhibitions >
        • Selvage: Jim Arendt
        • At Home: Candace Compton Pappas
      • Subtle Shifts
      • Disrupted Realism
      • Late Winter Exhibitions >
        • Chad Erpelding: Gains and Losses
        • Deepanjan Mukhopadhyay: Appropriated Figure-Grounds
        • Jordan Vinyard: Summary of A Few Volts
      • JANUARY 2021 >
        • Karen Milito
        • Nancy Pennell
        • Linda Lou Woodruff
      • December 2020: United By One >
        • United By One: Allen
        • United By One: LaBret Einstein
        • United By One: Haylett
        • United By One: Hershman
      • November 2020: BAC Exhibitions >
        • A Climate Of Change: Viewing Room
        • Shadows: 2020 Buckham Print Exchange
      • October 2020: Serious Play >
        • Serious Play: Andy Hill
        • Serious Play: Timothy Kranz
        • Serious Play: Sifus J Thompson
      • September 2020: Dear Memory, >
        • Aj Cooke: Fragmented Place
        • Michele Leclaire
        • Lauren Scavo-Fulk
      • August 2020: Ineffable Benedictions >
        • Matthew Osmon: Private Insurrection
        • 0591: People First
        • Rachel Singel: Metamorphosis
      • July 2020: Verisimilitude
      • Feb. 2020: Eros and Thanatos >
        • Eros & Thanatos: Award Winners
      • Jan. 2020
      • 2019 Exhibitions
    • Art Money
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      • 2022 Smallidge Lecture
      • Jan. 10, 2020: Artist Talks with Ardea Thurston-Shaine and Dominique Chastenet de Gary
      • Tommy Mintz, Nov. 2019
      • 2019 Smallidge Lecture
      • June 2019: Panel Discussion with John Dempsey, Guy Adamec, and Amy Gibas
      • May 4, 2019- Artist Talk with Stephen Halko and Nick Reszetar
      • April 13, 2019 ​Artist Talk and Deviant Life Drawing Session with Jeanine Leclaire
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January 13 - February 11, 2023
Portraits of Home | Whitney Lea Sage

In Conversation: Whitney Lea Sage
Artist Statement:
Homesickness Series, Portraits of Home and Domestic Fragments, three ongoing bodies of work on display in Whitney Lea Sage’s Portraits of Home, focus their lens on the sprawling neighborhoods of Detroit and Highland Park, Michigan, many rendered endangered and unrecognizable due to generations of disinvestment and abandonment. Homesickness Series and Portraits of Home present these neighborhoods directly through the language of meticulously rendered monochromatic ink drawings on watercolor paper and aquabord panels. Both series, stylistically modeled after tintype photography, frame endangered or absent homes in these cities as they appear today, as white voided façades or as empty lots. The varied presentation modalities of the homes are symbolic of the evolving disappearance of homes in Detroit and Highland Park, both cities having the largest home vacancy and demolition rates in the state of Michigan. Through means of display, the sculptural objects of Domestic Fragments are meant to function in conversation with Homesickness Series and Portraits of Home and serve as artifacts representing the loss of the home, the loss of people and the related loss of memory. Combining disparate fragments of domesticity, parts of toys, dishes, photos, tools, bricks, linens, etc., these objects are familiar yet appear foreign, morphing into abstracted plaster geological forms; the objects are visually present, yet seem physically absent and inaccessible. While these displayed objects relate the collection of mementos as attempts to hold on to memories and connections with place, the idea of the artifact also relates to common depictions of post-industrial cities as abandoned “blank slates” open for reinvention while failing to recognize or take into consideration the histories and communities that remain.

The use of familiar middle class archetypal home and homewares across all three series serve as empathetic entry points for viewers to connect to the experience of individual people and families who occupied each site. Through the incomplete picture provided by voided negative shapes, empty lots and incomplete artifacts on display, viewers are invited to consider the collective loss of identity, memory and belonging being experienced in shrinking communities. The physical removal of homes throughout Detroit and the harsh erasure of the home within my work represents the very real endangerment of accessible landmarks of communal memory and history and, in this way, these works aim to document what exists, what’s disappearing and what’s already unknown and build connections through our shared protective impulse for the
people and places we love.

Artist Bio: 

Whitney Lea Sage is a multidisciplinary artist and educator originally from metro-Detroit currently serving as Assistant Professor of Art at North Central College in Naperville, IL. As a native of suburban Detroit, the rich history of midwestern, industrial cities and their bellwether relevance to the American experience has been a continual source of inspiration for Whitney’s work. Across her career and a variety of media and disciplines, her work has centered on “Rust Belt” cities as subject with the goal of opening a dialogue about challenging and uncomfortable histories and critically examining the lenses through which communities view and present one another. Raised in the suburbs herself, Whitney aims to highlight the long-standing contentious relationship between cities and suburbs due to racial, economic and cultural disparities and disenfranchisement and aims to expose the experiential distance between viewer and viewed-confronting the ambivalence often reflected in attitudes towards and media coverage of urban communities. Whitney’s work is driven to expand by the urgency of our current moment and a wellspring of source material as our post-industrial economy and our affinity for geographic sprawl and planned obsolescence continues leave behind communities, both urban and rural
alike, in its wake.

Whitney earned a MFA in Studio Art from the Sam Fox School of Visual Art at Washington University in St. Louis and Bachelors degrees in Art Education and Painting from Miami University. A selection of Sage’s recent work has been recently featured in solo exhibitions at Indiana University East, Workhouse Arts Center, Art Reach Mid-Michigan, ROY G BIV and
Ripon College. Whitney’s work has previously been featured in notable group exhibitions at the Painting Center, Superfront LA Gallery, the Lexington Art League, UICA, the Muskegon Museum of Art, the Kennedy Art Museum and the Dennos Museum Center. Whitney has been an artist-in-residence at AIR Paducah, the Vermont Studio Center, Wave Pool and Popp’s
Packing. Whitney’s creative work has been featured in a number of publications including Manifest Gallery’s INDA 14, Refract Journal, Hour Detroit Magazine, WomanArts Quarterly Journal, Newfound Journal, Maake Magazine, and the Post-Industrial Complex catalog, published by the Museum of Contemporary Art Detroit as a survey of makers in the Detroit
area.

For more information about Whitney and her work, visit www.whitneysage.com or follow her
on instagram @wlsagestudio.

Inventory

Living Room, Homesickness Series
Acrylic ink on watercolor paper
NFS

Recession
Acrylic ink on watercolor paper
NFS

Threshold
Acrylic ink on watercolor paper
NFS

Single Family Home
Acrylic ink on watercolor paper
NFS

White Picket Fence
Acrylic ink on watercolor paper
NFS

Cottage I 
Acrylic ink on watercolor paper
NFS

Portraits of Home Series
Acrylic ink on aquabord
NFS 

Top Row (L-R)

31 Kendall Street

80 California Street

315 Watson Street

427 S. Crossley Street

315 Pasadena Street

5467 Moran Street

39 Rhode Island Street

13788 Lincoln Street

118 Beresford Street

35 Kendall Street

239 Pasadena Street

Second Row from top (L - R)

Unknown Address

5557 Moran Street

295 Watson Street

23 Kendall Street

230 Pasadena Street

427 S. Crossley Street

88 Elmhurst Street

102 Winona Street

352 Pasadena Street

Third Row from Top (L -  R)

235 Pasadena Street

5857-59 Moran Street

339 Pasadena Street

4187 Springle Street

59 Winona Street

157 Pasadena Street

5843-45 Moran Street

4335 Buchanan Street

312 Watson Street

Bottom Row (L - R)

314 Pasadena Street

2994 Lakeview Street

1616 Gray Street

190 Avalon Street

4854 Springle Street

36 Beresford Street

4726 Springle Street

34 Kendall Street

3859 Manistique Street

Foundation, Homesickness Series
Acrylic ink on watercolor paper
NFS

Cottage II
Acrylic ink on aquabord panel
NFS

Domestic Fragment Series
9 Plaster and found object sculptures and fragments 

Buckham Gallery is funded by the following organizations:
Generous support is provided by the Charles Stewart Mott Foundation. 

Our activities are sponsored in part by an award from the MICHIGAN ARTS AND CULTURE COUNCIL  and the NATIONAL ENDOWMENT FOR THE ARTS. 
​

This program is sponsored by the Greater Flint Arts Council Share Art Genesee Grant Program made possible by the Genesee County Arts Education and Cultural Millage funds. Your tax dollars are at work!
Picture
  • Home
  • Exhibitions
    • January Solo Exhibitions >
      • Crawl Space | Guen Montgomery
      • Portraits of Home | Whitney Lea Sage
      • Interior Visions: Domestic Sphere | Stephanie Serpick
    • In Conversation
    • Exhibition Opportunities >
      • Small Works Exhibition
      • Teeth & Hair
      • PRESENTATION GUIDELINES
    • 2022-2023 Exhibition Schedule
    • Selected Past Exhibitions >
      • Early Winter Exhibitions >
        • Empty Road, Great Tornado - Emmett Merrill
        • Nice Things for Nice People - Kate Snow
        • Recent Work - Michael Melet
      • November Exhibition >
        • Buckham Artist Collaborators
        • On Screen: A Showcase
      • 101 Artists
      • Ojichaagwan Vessels- Guy Adamec
      • Caution: May Contain Nudity >
        • Donovan Entrekin
        • Friends
      • Summer Exhibitions >
        • Heidi Brueckner
        • Craig Hinshaw
        • Michael Weigman
      • Early Summer Exhibitions >
        • Barriers & Preservers | Margaret Davis
        • Endless Endeavors | Benjamin Muñoz
      • BIPOC is The Theme! >
        • BIPOC Artists for Feature Exhibition
        • Viewing Room
      • Late Winter Exhibitions >
        • Dialectics and the Decommodified: The Spectres of Capital- Morgan Craig
        • Textures of the Southwest- Robert Huebel
        • All the Pretty Little Horses- Chris Waters
      • Small Talk >
        • Viewing Room
      • December Exhibitions >
        • Horizons | Emily Legleitner
        • Indexing Schizophrenia | Diane Zeeuw
        • Seeking Solace | Rebecca Zeiss
      • Black & White
      • Entropy >
        • Viewing Room
      • Late Summer Exhibitions >
        • Hyper-Tension: Matthew Owen Wead
        • Nigrescence Comics: Kenish Magwood
      • Summer Exhibitions >
        • Beastly Luster: Kelly Boehmer
        • No Dark In Sight: Bill Davis
        • Penchant: Devan Horton
      • Early Summer Exhibitions >
        • Selvage: Jim Arendt
        • At Home: Candace Compton Pappas
      • Subtle Shifts
      • Disrupted Realism
      • Late Winter Exhibitions >
        • Chad Erpelding: Gains and Losses
        • Deepanjan Mukhopadhyay: Appropriated Figure-Grounds
        • Jordan Vinyard: Summary of A Few Volts
      • JANUARY 2021 >
        • Karen Milito
        • Nancy Pennell
        • Linda Lou Woodruff
      • December 2020: United By One >
        • United By One: Allen
        • United By One: LaBret Einstein
        • United By One: Haylett
        • United By One: Hershman
      • November 2020: BAC Exhibitions >
        • A Climate Of Change: Viewing Room
        • Shadows: 2020 Buckham Print Exchange
      • October 2020: Serious Play >
        • Serious Play: Andy Hill
        • Serious Play: Timothy Kranz
        • Serious Play: Sifus J Thompson
      • September 2020: Dear Memory, >
        • Aj Cooke: Fragmented Place
        • Michele Leclaire
        • Lauren Scavo-Fulk
      • August 2020: Ineffable Benedictions >
        • Matthew Osmon: Private Insurrection
        • 0591: People First
        • Rachel Singel: Metamorphosis
      • July 2020: Verisimilitude
      • Feb. 2020: Eros and Thanatos >
        • Eros & Thanatos: Award Winners
      • Jan. 2020
      • 2019 Exhibitions
    • Art Money
  • Events
    • Calendar
    • B.Y.O.C.
    • Open Mic
    • Flint ARTWALK
    • Cider & Slides
    • Past Events
    • Past Artist Talks >
      • 2022 Smallidge Lecture
      • Jan. 10, 2020: Artist Talks with Ardea Thurston-Shaine and Dominique Chastenet de Gary
      • Tommy Mintz, Nov. 2019
      • 2019 Smallidge Lecture
      • June 2019: Panel Discussion with John Dempsey, Guy Adamec, and Amy Gibas
      • May 4, 2019- Artist Talk with Stephen Halko and Nick Reszetar
      • April 13, 2019 ​Artist Talk and Deviant Life Drawing Session with Jeanine Leclaire
  • PROJECTS
    • BFAP: On Screen >
      • On Screen Artists
      • FAQ
    • BFAP: Interns
    • BFAP: Writer in Residence >
      • Bob Campbell
      • Natasha Thomas
      • Shea Phire Cobb
    • Collaborators at Karmanos
    • Emerging Artist with UM-F >
      • My Proulx
  • About Buckham
    • Mission Statement
    • Board and Staff
    • Buckham Arts Collective
    • Buckham Community Membership
    • Founders Feature >
      • FOUNDERS FEATURE: THOMAS NUZUM
      • Founders Feature: Sam Morello
      • Founders Feature: Ken Kinyon
      • Founders Feature: John Dempsey
      • FOUNDERS FEATURE: GUY ADAMEC
    • History
    • 2021 Annual Report >
      • 2020 Annual Report
    • News/Press >
      • Archives
    • BAC 2022-2023 >
      • 2022-23 BAC Renewal
      • Bylaws
      • Policies
  • SUPPORT
    • 2022-2023 Annual Fund
    • WIR Support
    • Community Membership
    • Online Shop
  • Visit
    • CONNECT
    • Covid-19 Safety Plan