BUCKHAM GALLERY
  • Home
  • Exhibitions
    • January Solo Exhibitions >
      • Crawl Space | Guen Montgomery
      • Portraits of Home | Whitney Lea Sage
      • Interior Visions: Domestic Sphere | Stephanie Serpick
    • In Conversation
    • Exhibition Opportunities >
      • Small Works Exhibition
      • Teeth & Hair
      • PRESENTATION GUIDELINES
    • 2022-2023 Exhibition Schedule
    • Selected Past Exhibitions >
      • Early Winter Exhibitions >
        • Empty Road, Great Tornado - Emmett Merrill
        • Nice Things for Nice People - Kate Snow
        • Recent Work - Michael Melet
      • November Exhibition >
        • Buckham Artist Collaborators
        • On Screen: A Showcase
      • 101 Artists
      • Ojichaagwan Vessels- Guy Adamec
      • Caution: May Contain Nudity >
        • Donovan Entrekin
        • Friends
      • Summer Exhibitions >
        • Heidi Brueckner
        • Craig Hinshaw
        • Michael Weigman
      • Early Summer Exhibitions >
        • Barriers & Preservers | Margaret Davis
        • Endless Endeavors | Benjamin Muñoz
      • BIPOC is The Theme! >
        • BIPOC Artists for Feature Exhibition
        • Viewing Room
      • Late Winter Exhibitions >
        • Dialectics and the Decommodified: The Spectres of Capital- Morgan Craig
        • Textures of the Southwest- Robert Huebel
        • All the Pretty Little Horses- Chris Waters
      • Small Talk >
        • Viewing Room
      • December Exhibitions >
        • Horizons | Emily Legleitner
        • Indexing Schizophrenia | Diane Zeeuw
        • Seeking Solace | Rebecca Zeiss
      • Black & White
      • Entropy >
        • Viewing Room
      • Late Summer Exhibitions >
        • Hyper-Tension: Matthew Owen Wead
        • Nigrescence Comics: Kenish Magwood
      • Summer Exhibitions >
        • Beastly Luster: Kelly Boehmer
        • No Dark In Sight: Bill Davis
        • Penchant: Devan Horton
      • Early Summer Exhibitions >
        • Selvage: Jim Arendt
        • At Home: Candace Compton Pappas
      • Subtle Shifts
      • Disrupted Realism
      • Late Winter Exhibitions >
        • Chad Erpelding: Gains and Losses
        • Deepanjan Mukhopadhyay: Appropriated Figure-Grounds
        • Jordan Vinyard: Summary of A Few Volts
      • JANUARY 2021 >
        • Karen Milito
        • Nancy Pennell
        • Linda Lou Woodruff
      • December 2020: United By One >
        • United By One: Allen
        • United By One: LaBret Einstein
        • United By One: Haylett
        • United By One: Hershman
      • November 2020: BAC Exhibitions >
        • A Climate Of Change: Viewing Room
        • Shadows: 2020 Buckham Print Exchange
      • October 2020: Serious Play >
        • Serious Play: Andy Hill
        • Serious Play: Timothy Kranz
        • Serious Play: Sifus J Thompson
      • September 2020: Dear Memory, >
        • Aj Cooke: Fragmented Place
        • Michele Leclaire
        • Lauren Scavo-Fulk
      • August 2020: Ineffable Benedictions >
        • Matthew Osmon: Private Insurrection
        • 0591: People First
        • Rachel Singel: Metamorphosis
      • July 2020: Verisimilitude
      • Feb. 2020: Eros and Thanatos >
        • Eros & Thanatos: Award Winners
      • Jan. 2020
      • 2019 Exhibitions
    • Art Money
  • Events
    • Calendar
    • B.Y.O.C.
    • Open Mic
    • Flint ARTWALK
    • Cider & Slides
    • Past Events
    • Past Artist Talks >
      • 2022 Smallidge Lecture
      • Jan. 10, 2020: Artist Talks with Ardea Thurston-Shaine and Dominique Chastenet de Gary
      • Tommy Mintz, Nov. 2019
      • 2019 Smallidge Lecture
      • June 2019: Panel Discussion with John Dempsey, Guy Adamec, and Amy Gibas
      • May 4, 2019- Artist Talk with Stephen Halko and Nick Reszetar
      • April 13, 2019 ​Artist Talk and Deviant Life Drawing Session with Jeanine Leclaire
  • PROJECTS
    • BFAP: On Screen >
      • On Screen Artists
      • FAQ
    • BFAP: Interns
    • BFAP: Writer in Residence >
      • Bob Campbell
      • Natasha Thomas
      • Shea Phire Cobb
    • Collaborators at Karmanos
    • Emerging Artist with UM-F >
      • My Proulx
  • About Buckham
    • Mission Statement
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    • Buckham Community Membership
    • Founders Feature >
      • FOUNDERS FEATURE: THOMAS NUZUM
      • Founders Feature: Sam Morello
      • Founders Feature: Ken Kinyon
      • Founders Feature: John Dempsey
      • FOUNDERS FEATURE: GUY ADAMEC
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FOUNDERS FEATURE: KEN KINYON

Multi-Fired Ceramic Vessels and sculptures
Buckham
Ken Kinyon, May 2020

I am one of the founding artist members of The Buckham Fine Arts Project but, like most, was not in the center of it all. As with nearly all important endeavors, there was a core group of individuals that had the concept and turned it into reality.

I have never been an insider to anything in my life and this was no different. I sat in on informal discussions as the dream of a gallery was becoming reality. I remember a few nights when Sam Morello, Bob Caskey, Thom Nuzum, Gary Gebhardt and a couple of others had long discussions in the sculpture room. It should not be overlooked that at that time, the art center (MCC) was the hub of all art activity. The best of the best were there teaching. They brought in a lot of young talented people and energy gathered like a brewing storm. Since most of them were there at the same time it was easy to have an idea about a potential gallery and go down the hall to knock it out with a few other like-minded people. It all was interesting to me but I never dreamed I’d be a part of it. Still they included me, asked me questions, wanted to know my opinions on various subjects.

When I finally saw what was to become Buckham I was acutely disappointed. Stairs. Steep stairs.

Being carried up the stairs in my wheelchair became a routine. I felt guilty and bad for those who had to do it. Over the next few years I had to depend on Guy Adamec, John Kotarski, Dave Smallidge (with his bad back), Caskey, Gebhardt, Bill Chatterson and others to haul me up there. Not once did any of them complain or balk at the chore.

I was slated for the second inaugural show, Enclaves II. I knew immediately that I was going to do a large installation. A year earlier I had been working on a series of sculptures and someone said (innocently) it was too bad that I was in a wheelchair, those pieces would look so much stronger if they were large. Late one night I discussed this with Caskey and Bommarito. Until that point I had thought that I had to do everything myself, conception to finish. They set me straight.

I quickly sketched a totemic piece that in my mind was to be a celebration, tribute to the new space. It was a ten foot circle, forty inches of mounded soil with a stack of adobe “stones” balanced one atop another towering above everyone and everything. Simple.

The outdoor temperature was pretty steamy when the second show came around. Nuzum showed me my space and I was very elusive about my plan. I’ve always felt it good personal policy to do what I want first and apologize later. For the cost of ten Big Macs, as many drinks and fries as requested, I hired my brother Keith and his friend Russ, both weightlifters and athletes to help me. We gathered burlap bag after bag of sand pilfered from the large berms behind the old St Joe’s hospital, adjacent to the Mott parking lot . Trip after sweaty trip to Buckham, up the stairs, dump, back down the stairs and repeat. And repeat. By the end of the day we had the mound in place and later a ring of anthracite coal ringing the outer edge to keep it from spilling onto the surrounding floor. Thom came in while we were recovering from the heat and fell silent. Thom was not usually silent. This was not what he had expected, and expressed worries about the weight. He added that “it was dirt” and a number of nightmare scenarios. Next he suggested that it should be moved a few feet in another direction, there may have been talk of someone being thrown out the window, and then it was fine. Afterward we all had a drink together and smiled a lot.

The following morning we stacked the adobe blocks and found a bazillion teeny ants all over the area. We concealed ant bait in the sand and hoped for the best. It was a good day. We were the only ones at the gallery and no one was the wiser.

The Founders Feature highlights The Buckham Fine Arts Project and the artists involved from our early days.

Founders Feature: May 14 - May 20

Founding member Ken Kinyon’s multi-fired ceramic sculptures are obsessive and meditative works recognizable by their texture. He has shown at the Flint Institute of Arts, Greater Flint Arts Council, Grand Rapids, NYC, and Buckham Gallery.

Kinyon became a student at Mott Community College after being severely injured while professionally racing motorcycles. This accident, which left him paralyzed from the chest down, led him to meet artists in Flint who guided Kinyon to follow this new passion for art. He studied fine arts at Arizona State University until illness brought him back to Flint and MCC. On his return he became a student of, and then friends with, Joe Bommarito, Bob Caskey, Sam Morello, and Thomas Nuzum. It was during this time and through these relationships that The Buckham Fine Arts Project became a reality.


My Work

I love textures.

I look at an entire image and see only a fraction that interests me, making the whole of it meaningless. But that little piece of--something--it draws me in and I see it as a whole. I love multiples, the same form over and over, sometimes all the same other times with different surfaces. Simple, crude forms can have power. Think of a simple beach pebble. They force you to pick them up. Power.

I do not tend to think of my work as abstract, but rather simple observations of something. My early works were ceramic vessels, but I quickly moved to ceramic sculptures. I am compelled to create simple spheres and oblong shapes covered with textured glazes. Through methodical experimentation with different glaze techniques I achieve the textures which I love.
Buckham Gallery is funded by the following organizations:
Generous support is provided by the Charles Stewart Mott Foundation. 

Our activities are sponsored in part by an award from the MICHIGAN ARTS AND CULTURE COUNCIL  and the NATIONAL ENDOWMENT FOR THE ARTS. 
​

This program is sponsored by the Greater Flint Arts Council Share Art Genesee Grant Program made possible by the Genesee County Arts Education and Cultural Millage funds. Your tax dollars are at work!
Picture
  • Home
  • Exhibitions
    • January Solo Exhibitions >
      • Crawl Space | Guen Montgomery
      • Portraits of Home | Whitney Lea Sage
      • Interior Visions: Domestic Sphere | Stephanie Serpick
    • In Conversation
    • Exhibition Opportunities >
      • Small Works Exhibition
      • Teeth & Hair
      • PRESENTATION GUIDELINES
    • 2022-2023 Exhibition Schedule
    • Selected Past Exhibitions >
      • Early Winter Exhibitions >
        • Empty Road, Great Tornado - Emmett Merrill
        • Nice Things for Nice People - Kate Snow
        • Recent Work - Michael Melet
      • November Exhibition >
        • Buckham Artist Collaborators
        • On Screen: A Showcase
      • 101 Artists
      • Ojichaagwan Vessels- Guy Adamec
      • Caution: May Contain Nudity >
        • Donovan Entrekin
        • Friends
      • Summer Exhibitions >
        • Heidi Brueckner
        • Craig Hinshaw
        • Michael Weigman
      • Early Summer Exhibitions >
        • Barriers & Preservers | Margaret Davis
        • Endless Endeavors | Benjamin Muñoz
      • BIPOC is The Theme! >
        • BIPOC Artists for Feature Exhibition
        • Viewing Room
      • Late Winter Exhibitions >
        • Dialectics and the Decommodified: The Spectres of Capital- Morgan Craig
        • Textures of the Southwest- Robert Huebel
        • All the Pretty Little Horses- Chris Waters
      • Small Talk >
        • Viewing Room
      • December Exhibitions >
        • Horizons | Emily Legleitner
        • Indexing Schizophrenia | Diane Zeeuw
        • Seeking Solace | Rebecca Zeiss
      • Black & White
      • Entropy >
        • Viewing Room
      • Late Summer Exhibitions >
        • Hyper-Tension: Matthew Owen Wead
        • Nigrescence Comics: Kenish Magwood
      • Summer Exhibitions >
        • Beastly Luster: Kelly Boehmer
        • No Dark In Sight: Bill Davis
        • Penchant: Devan Horton
      • Early Summer Exhibitions >
        • Selvage: Jim Arendt
        • At Home: Candace Compton Pappas
      • Subtle Shifts
      • Disrupted Realism
      • Late Winter Exhibitions >
        • Chad Erpelding: Gains and Losses
        • Deepanjan Mukhopadhyay: Appropriated Figure-Grounds
        • Jordan Vinyard: Summary of A Few Volts
      • JANUARY 2021 >
        • Karen Milito
        • Nancy Pennell
        • Linda Lou Woodruff
      • December 2020: United By One >
        • United By One: Allen
        • United By One: LaBret Einstein
        • United By One: Haylett
        • United By One: Hershman
      • November 2020: BAC Exhibitions >
        • A Climate Of Change: Viewing Room
        • Shadows: 2020 Buckham Print Exchange
      • October 2020: Serious Play >
        • Serious Play: Andy Hill
        • Serious Play: Timothy Kranz
        • Serious Play: Sifus J Thompson
      • September 2020: Dear Memory, >
        • Aj Cooke: Fragmented Place
        • Michele Leclaire
        • Lauren Scavo-Fulk
      • August 2020: Ineffable Benedictions >
        • Matthew Osmon: Private Insurrection
        • 0591: People First
        • Rachel Singel: Metamorphosis
      • July 2020: Verisimilitude
      • Feb. 2020: Eros and Thanatos >
        • Eros & Thanatos: Award Winners
      • Jan. 2020
      • 2019 Exhibitions
    • Art Money
  • Events
    • Calendar
    • B.Y.O.C.
    • Open Mic
    • Flint ARTWALK
    • Cider & Slides
    • Past Events
    • Past Artist Talks >
      • 2022 Smallidge Lecture
      • Jan. 10, 2020: Artist Talks with Ardea Thurston-Shaine and Dominique Chastenet de Gary
      • Tommy Mintz, Nov. 2019
      • 2019 Smallidge Lecture
      • June 2019: Panel Discussion with John Dempsey, Guy Adamec, and Amy Gibas
      • May 4, 2019- Artist Talk with Stephen Halko and Nick Reszetar
      • April 13, 2019 ​Artist Talk and Deviant Life Drawing Session with Jeanine Leclaire
  • PROJECTS
    • BFAP: On Screen >
      • On Screen Artists
      • FAQ
    • BFAP: Interns
    • BFAP: Writer in Residence >
      • Bob Campbell
      • Natasha Thomas
      • Shea Phire Cobb
    • Collaborators at Karmanos
    • Emerging Artist with UM-F >
      • My Proulx
  • About Buckham
    • Mission Statement
    • Board and Staff
    • Buckham Arts Collective
    • Buckham Community Membership
    • Founders Feature >
      • FOUNDERS FEATURE: THOMAS NUZUM
      • Founders Feature: Sam Morello
      • Founders Feature: Ken Kinyon
      • Founders Feature: John Dempsey
      • FOUNDERS FEATURE: GUY ADAMEC
    • History
    • 2021 Annual Report >
      • 2020 Annual Report
    • News/Press >
      • Archives
    • BAC 2022-2023 >
      • 2022-23 BAC Renewal
      • Bylaws
      • Policies
  • SUPPORT
    • 2022-2023 Annual Fund
    • WIR Support
    • Community Membership
    • Online Shop
  • Visit
    • CONNECT
    • Covid-19 Safety Plan