BUCKHAM GALLERY
  • Home
  • Exhibitions
    • Late Summer Solo Exhibitions >
      • Sunstroke | Denise Burge
      • We All Live Downwind | Shanna Merola
      • Bedside | Emily Orzech
    • Early Fall Exhibitions
    • In Conversation
    • Exhibition Opportunities >
      • Press Play
      • 2024-2025 Season Call For Entry
      • PRESENTATION GUIDELINES
    • 2023-2024 Exhibition Season
    • 2022-2023 Exhibition Schedule
    • Selected Past Exhibitions >
      • Summer Solo Exhibitions >
        • In a Dream | Robert Beras
        • Nature is Healing | Maria Lux
        • Vocation as Vacation | Andrew Rider
      • June Solo Exhibitions >
        • Oasis of Symmetry | Aisha Changezi
        • Late Stage Block Party | Adrian Hatfield
        • Everted Sanctuaries: Exquisite Contortions | Ryan Lewis
      • April Exhibitions >
        • Sam Morello Selected Works
        • Small Works - National Juried Exhibition
        • Teeth & Hair - National Juried Exhibition
      • Late Winter Solo Exhibitions >
        • Tokens and Traces | Jeanne Ciravolo
        • Between Here and There | Kimberly LaVonne
        • A Reckoning in Pink | Danielle Mužina
      • January Solo Exhibitions >
        • Crawl Space | Guen Montgomery
        • Portraits of Home | Whitney Lea Sage
        • Interior Visions: Domestic Sphere | Stephanie Serpick
      • Early Winter Exhibitions >
        • Empty Road, Great Tornado - Emmett Merrill
        • Nice Things for Nice People - Kate Snow
        • Recent Work - Michael Melet
      • November Exhibition >
        • Buckham Artist Collaborators
        • On Screen: A Showcase
      • 101 Artists
      • Ojichaagwan Vessels- Guy Adamec
      • Caution: May Contain Nudity >
        • Donovan Entrekin
        • Friends
      • Summer Exhibitions >
        • Heidi Brueckner
        • Craig Hinshaw
        • Michael Weigman
      • Early Summer Exhibitions >
        • Barriers & Preservers | Margaret Davis
        • Endless Endeavors | Benjamin Muñoz
      • BIPOC is The Theme! >
        • BIPOC Artists for Feature Exhibition
        • Viewing Room
      • Late Winter Exhibitions >
        • Dialectics and the Decommodified: The Spectres of Capital- Morgan Craig
        • Textures of the Southwest- Robert Huebel
        • All the Pretty Little Horses- Chris Waters
      • Small Talk >
        • Viewing Room
      • December Exhibitions >
        • Horizons | Emily Legleitner
        • Indexing Schizophrenia | Diane Zeeuw
        • Seeking Solace | Rebecca Zeiss
      • Black & White
      • Entropy >
        • Viewing Room
      • 2021 Exhibitions
      • 2020 Exhibitions
      • 2019 Exhibitions
    • Art Money
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    • Flint ARTWALK
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    • Past Events >
      • Past Artist Talks >
        • 2022 Smallidge Lecture
        • Jan. 10, 2020: Artist Talks with Ardea Thurston-Shaine and Dominique Chastenet de Gary
        • Tommy Mintz, Nov. 2019
        • 2019 Smallidge Lecture
        • June 2019: Panel Discussion with John Dempsey, Guy Adamec, and Amy Gibas
        • May 4, 2019- Artist Talk with Stephen Halko and Nick Reszetar
        • April 13, 2019 ​Artist Talk and Deviant Life Drawing Session with Jeanine Leclaire
      • Open Mic
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      • On Screen Artists
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      • Natasha Thomas
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      • 2024 Emerging Artist Fellowship
      • Steven Banks
      • My Proulx
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      • FOUNDERS FEATURE: THOMAS NUZUM
      • Founders Feature: Sam Morello
      • Founders Feature: Ken Kinyon
      • Founders Feature: John Dempsey
      • FOUNDERS FEATURE: GUY ADAMEC
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In Conversation with Michael Weigman
Artist Statement:
My work explores my suburban upbringing, fascinations with underground subcultures that were my escape, and interest in industrial era history. These disparate sources clash, creating an abstract mythology used to illustrate my vision of contemporary issues. I employ printmaking as my primary medium due to its legacy as a communicative medium for the working class.

In this body of work I focus on our society appearing to be on the precipice of great change that includes evolution in areas, but also entrenchment. We see everywhere the crumbling remnants of the industrial age in our landscapes, remnants that many continue to desperately hold on to despite the futility in doing so.  As these facades rust away, it becomes clear that many of the societal ills we had thought were overcome still lurk in the shadows, seizing the opportunity to prey on our fear. Through this futile grasp of nostalgia, our society is forgetting or rejecting the very elements of social evolution that have allowed us the freedom to make our own futures. Through my work I seek to shed light on these issues, to rip off the blindfolds our fear has created, before history ends up repeating itself once again. 
​

Artist Bio:
Michael Weigman is an artist, printmaker, and educator living in Columbus, Ohio. He received his Masters of Fine Arts from Northern Illinois University, with a focus in printmaking. Much of Michael’s work explores a personal mythos combining elements of his suburban upbringing, obsession with history, and his fascination with subcultures found in extreme metal music. He's exhibited his work both nationally and internationally, and has organized art exhibitions in Ohio and surrounding states. Beyond being a practicing artist he is currently a manager of the print shop Upright Press, a member at the Columbus Printed Art Center, and a freelance illustrator. He also has experience as a faculty member at multiple academic institutions, most recently at Ohio State University. You can learn more about Michael and look at his work at www.MichaelWeigman.com

Inventory

1.  Tell Me Something Disappointing
Intaglio
$100

2. Those Who Can Are Enduring Redux
Serigraphy, Mixed Media
$400

3. I’m Covered in His Blood Redux
Serigraphy, Mixed Media
$400

4. Confined By Location and Aesthetic
Intaglio
$100

5. Translation of Vacuity
Intaglio and Serigraphy
$100 (three available)

5. Narcotic Terror Suburban Testing
Intaglio
$80

6. I’m Covered In His Blood
Intaglio and Serigraphy
$200

7. Cycles of Victors
Intaglio
$100 (two available)

8. Carving a Giant of Hope, Supporting a Giant of Terror
Intaglio
$100

9. The Real World Already Left
Intaglio
$80 (two available)

10. Those Who Can Are Enduring
Intaglio and Serigraphy
$200

11. We Tarnish Our Roots with Our Ignorance
Intaglio
$80

12. Assurances of Barriers and Salvation
Intaglio and Serigraphy
$100

13. Carving a Giant of Hope, Supporting a Giant of Terror Redux
Intaglio, Monotype, Mixed Media
$350

14. Assurance of Barriers and Salvation Redux
Intaglio, Monotype, Mixed Media
$350

15. Translation of Vacuity Redux
Intaglio, Monotype, Mixed Media
$350

16. Unstable Yet Eternal Greed
Intaglio, Serigraphy, Mixed Media
$250

17. Narcotic Terror Suburban Testing Redux
Intaglio, Monotype, Mixed Media
$350

18. The Real World Already Left Redux
Intaglio, Serigraphy, Mixed Media
$400

19. Celebration of Infinity
Intaglio, Serigraphy, Mixed Media
$300

20. Black Widow 1986
Intaglio, Serigraphy, Mixed
Media
$300

21. Progression Through Confusion
Intaglio, Serigraphy, Mixed Media
$250
Picture
Buckham Gallery is funded by the following organizations:
Generous support is provided by the Charles Stewart Mott Foundation. 

Our activities are sponsored in part by an award from the MICHIGAN ARTS AND CULTURE COUNCIL  and the NATIONAL ENDOWMENT FOR THE ARTS. 
​

This program is sponsored by the Greater Flint Arts Council Share Art Genesee Grant Program made possible by the Genesee County Arts Education and Cultural Millage funds. Your tax dollars are at work!
Picture
Privacy Policy
  • Home
  • Exhibitions
    • Late Summer Solo Exhibitions >
      • Sunstroke | Denise Burge
      • We All Live Downwind | Shanna Merola
      • Bedside | Emily Orzech
    • Early Fall Exhibitions
    • In Conversation
    • Exhibition Opportunities >
      • Press Play
      • 2024-2025 Season Call For Entry
      • PRESENTATION GUIDELINES
    • 2023-2024 Exhibition Season
    • 2022-2023 Exhibition Schedule
    • Selected Past Exhibitions >
      • Summer Solo Exhibitions >
        • In a Dream | Robert Beras
        • Nature is Healing | Maria Lux
        • Vocation as Vacation | Andrew Rider
      • June Solo Exhibitions >
        • Oasis of Symmetry | Aisha Changezi
        • Late Stage Block Party | Adrian Hatfield
        • Everted Sanctuaries: Exquisite Contortions | Ryan Lewis
      • April Exhibitions >
        • Sam Morello Selected Works
        • Small Works - National Juried Exhibition
        • Teeth & Hair - National Juried Exhibition
      • Late Winter Solo Exhibitions >
        • Tokens and Traces | Jeanne Ciravolo
        • Between Here and There | Kimberly LaVonne
        • A Reckoning in Pink | Danielle Mužina
      • January Solo Exhibitions >
        • Crawl Space | Guen Montgomery
        • Portraits of Home | Whitney Lea Sage
        • Interior Visions: Domestic Sphere | Stephanie Serpick
      • Early Winter Exhibitions >
        • Empty Road, Great Tornado - Emmett Merrill
        • Nice Things for Nice People - Kate Snow
        • Recent Work - Michael Melet
      • November Exhibition >
        • Buckham Artist Collaborators
        • On Screen: A Showcase
      • 101 Artists
      • Ojichaagwan Vessels- Guy Adamec
      • Caution: May Contain Nudity >
        • Donovan Entrekin
        • Friends
      • Summer Exhibitions >
        • Heidi Brueckner
        • Craig Hinshaw
        • Michael Weigman
      • Early Summer Exhibitions >
        • Barriers & Preservers | Margaret Davis
        • Endless Endeavors | Benjamin Muñoz
      • BIPOC is The Theme! >
        • BIPOC Artists for Feature Exhibition
        • Viewing Room
      • Late Winter Exhibitions >
        • Dialectics and the Decommodified: The Spectres of Capital- Morgan Craig
        • Textures of the Southwest- Robert Huebel
        • All the Pretty Little Horses- Chris Waters
      • Small Talk >
        • Viewing Room
      • December Exhibitions >
        • Horizons | Emily Legleitner
        • Indexing Schizophrenia | Diane Zeeuw
        • Seeking Solace | Rebecca Zeiss
      • Black & White
      • Entropy >
        • Viewing Room
      • 2021 Exhibitions
      • 2020 Exhibitions
      • 2019 Exhibitions
    • Art Money
  • Events
    • Calendar
    • B.Y.O.C.
    • Flint ARTWALK
    • Cider & Slides
    • Past Events >
      • Past Artist Talks >
        • 2022 Smallidge Lecture
        • Jan. 10, 2020: Artist Talks with Ardea Thurston-Shaine and Dominique Chastenet de Gary
        • Tommy Mintz, Nov. 2019
        • 2019 Smallidge Lecture
        • June 2019: Panel Discussion with John Dempsey, Guy Adamec, and Amy Gibas
        • May 4, 2019- Artist Talk with Stephen Halko and Nick Reszetar
        • April 13, 2019 ​Artist Talk and Deviant Life Drawing Session with Jeanine Leclaire
      • Open Mic
  • PROJECTS
    • BFAP: On Screen >
      • On Screen Artists
      • FAQ
    • BFAP: Interns
    • BFAP: Writer in Residence >
      • Bob Campbell
      • Natasha Thomas
      • Shea Phire Cobb
    • Collaborators at Karmanos
    • Emerging Artist with UM-F >
      • 2024 Emerging Artist Fellowship
      • Steven Banks
      • My Proulx
  • About Buckham
    • Mission Statement
    • Board and Staff
    • Buckham Arts Collective
    • Buckham Community Membership
    • Founders Feature >
      • FOUNDERS FEATURE: THOMAS NUZUM
      • Founders Feature: Sam Morello
      • Founders Feature: Ken Kinyon
      • Founders Feature: John Dempsey
      • FOUNDERS FEATURE: GUY ADAMEC
    • History
    • 2022 Annual Report >
      • 2021 Annual Report
      • 2020 Annual Report
    • News/Press
    • BAC 2023 - 2024 >
      • 2023-24 BAC Renewal
      • Bylaws
      • Policies
  • SUPPORT
    • 2022-2023 Annual Fund
    • 40th Anniversary Sponsorship Packet
    • WIR Support
    • Community Membership
    • Online Shop
    • Buckham Donors
  • Visit
    • CONNECT
    • Rent Buckham Gallery