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December 13, 2024 - January 11, 2025
Threshold | Emily Scott Beck

Picture
Artist Statement:
In Threshold the work examines and visualizes gender-specific boundaries, challenges and emergence through a range of perspectives and material methods. I highlight how specific stereotypes and historically assigned roles continue to hinder and undermine the progress of those identifying as female. In particular, I have taken a close look at what happens during the years when professional development intersects with domestic and family responsibilities.
I also point to the unique challenges women face when striving towards or achieving positions of power in the professional or political sector. When we emerge and succeed, it is very hard and uniquely fought. This work celebrates women’s achievements, acknowledges the hours and sacrifices, uses humor as a coping mechanism, and darkness/shadows as a nod to the empathy and interconnectedness of our lived experiences. As an interdisciplinary artist, my media shifts to align with the conceptual basis of any given work. I work seamlessly between the digital and the analog, and chose the material and method that makes me feel most connected to the idea. Using visual expressions of fabric, domestic architectural references, and dollhouses paired with gendered symbols adds layers of meaning.

This exhibition is made possible in part by support from the Institute for Scholarship in the Liberal Arts, College of Arts and Letters, University of Notre Dame.

Artist Bio:
Emily Scott Beck is an interdisciplinary artist teaching in the foundations program at the University of Notre Dame. She has a passion for teaching foundational courses as it allows her to work with and mentor students at the beginning of their careers, and to teach a wide range of mediums, compositional strategies, and conceptual approaches. Her work has been exhibited in galleries and museums across the United States, including the North Carolina Museum of Art in Raleigh, NC, the South Bend Museum of Art in South Bend, IN, Elisabet Ney Museum in Austin Texas, and Woman Made Gallery in Chicago, IL. Using video, animation, photography, sculpture, fibers, installation and sound, she captures experiences of emotional vulnerability, unrehearsed performances, gender construction, systems of belief, and women's labor and leadership. A focus on art as a powerful tool for visual communication and social change is a common thread between her studio practice and her teaching.

Inventory

Queen B, Lynette
Digital photograph

Queen B, Anne
Digital photograph

Queen B
Hand embroidered and laser burned fabric, custom embroidered patches

Queen B, Perin
Digital photograph

Queen B is a fiber-based sculpture that examines the scrutiny and inequity that women face when reaching towards or achieving positions of power in the professional or political sector. Direct quotes about female politicians, CEOs, and public figures are embroidered and burned into the fabric- showcasing the shift from affirmation to vilification that women face as they reach for higher positions. 

Ladylike (frieze)
Mirrored acrylic, wood, fabric, paper, wallpaper

Ladylike (frieze) references the historical wall frieze format to capture a moment of the everyday. In this work, I am pointing to women's labor. Globally, women are managing the majority of the unpaid domestic labor even when employed in a full-time paid job. A recent UN Labour report, states that it will take another 200 years to reach gender equality in unpaid domestic work. Ladylike (frieze) is a recognition of the 24/7 workday for mothers who rarely get to clock out, and are constantly juggling the many demands of their labor.

Ladylike (expanded dollhouse)
digital animation
NFS
Ladylike (expanded dollhouse) is a digital animation projected onto a laser-cut project screen. The projection screen depicts a 14-room house that contains domestic and public spaces in which women perform. The animations depict the icon for woman. She runs from room to room completing and failing the tasks the room demands. This project is a reflection of the expanded roles women play, and the lack of support and recognition that many of them face.

Erupt(ion)
Wood and mirrored acrylic

Erupt(ion) represents those moments when life alters abruptly. How do we learn how to see ourselves or our lives anew after a huge shift or eruption? The shadow figures on the ground symbolizes a shedding of a layer of self, shadows of our past or expectation. And as it sheds- reveals the layers underneath. In this case- reflective mirrors. 

Ladylike (dirty laundry)
Wood, fabric, wallpaper, paper

Battleground
Digital Video
NFS
Battleground is a video shot at dawn and dusk at Lake Michigan. Sunset, sunrise, sand, bodies of water… are typically peaceful grounding moments/places. In this video/animation, the figure battles an animated shadow and at times becomes a shadow. This is a metaphorical representation of how even in places of peace, we may find ourselves battling shadows.

Ladylike (dirty laundry)
Laser-cut wood, fabric, wallpaper, paper,  accumulated coffee stains, wine stains, mirrored acrylic, grocery lists, anxiety lists

Ladylike (dirty laundry) utilizes scraps. As a working mother, I often work with scraps. Scrap time, scrap food, scrap materials, whatever I can scrap together. In this series, I looked around my studio and found myself surrounded by scrap materials from the many tests and trials it took to make Ladylike (frieze). This part of the Ladylike series feels simultaneously the most truthful and the most uncomfortable to me. I manipulated each scrap by adding a material or a treatment showing the aspects of motherhood we try to sweep under the couch- revealing the mess, the anxiety, the guilt, the pressure, the monotony, the truth. And I really want to clean it all up. And also it's not messy enough.

Em(BOSS)
Paper, wood

Em(BOSS)
portrays 129 women who are leaders in their field. Their portraits pop off of the wall in the format of a custom-made embossed wallpaper. Globally, women are reaching higher than ever in political, professional, and media sectors. However, there is a long road ahead in order to reach gender equity in global leadership. Using embossed wallpaper is a way to simultaneously reference emergence while also showing the inequity. These women are relegated to the background- using a domestic architectural installation, white on white, low relief and lack of detail is a way to reference the slow but also powerful progression.


Ursula Von Der Leyen, President of European Commission/Union
Christine Lagarde, President of European Central Bank
Giorgia Meloni, Prime Minister of Italy
Taylor Swift, Singer, Songwriter
Jane Fraser, CEO of Citigroup
Abigail Johnson, CEO Fidelity Investments
Mary Barra, CEO general Motors
Melinda French Gates, Cochair, Bill & Melinda Gates Foundation 
Julie Sweet, CEO of global services company Accenture
Kristalina Georgieva, managing director of the International Monetary Fund 
Mackenzie Scott,  Philanthropist, Author
Emma Walmsley, CEO of GlaxoSmithKline
Ruth Porat, President & Chief Investment Officer And Chief Financial Officer, Alphabet (Google)
Safra Catz, CEO Oracle
Kathryn McLay, CEO Walmart International
Sarah London, CEO Centene 
Amy Hood, Executive Vice President & CFO, Microsoft
Catherine MacGregor, CEO, ENGIE France
Janet Yellen, US Treasury Secretary
Phebe Novakovic, CEO General Dynamics
Tsai-Ing Wen, President Taiwan
Oprah Winfrey, Television Host and producer
Nirmala Sitharaman, Minister Of Finance And Corporate Affairs, India
Thasunda Brown Duckett, CEO, TIAA
Beyonce, Singer, songwriter, businesswoman
Shari Redstone, Chairman Paramount Global
Kathy Warden, Chairman, President & CEO, Northrop Grumman
Dana Walden, Co-Chairman, The Walt Disney
Amanda Blanc, CEO Aviva
Susan Li, CFO Meta
Margherita Della Valle, CEO, Vodafone
Mary Callahan Erdoes, CEO, Asset Management, JPMorgan
Lynn Martin, President, NYSE Group; Chair, ICE Fixed Income And Data Services, New York Stock Exchange
Sheikh Hasina Wajed, Prime Minister, Bangladesh
Sri Mulyani Indrawati, Minister Of Finance, Indonesia
Gina Rinehart, Executive Chairman, Hancock Prospecting
Lisa Su, CEO AMD
Vicki Hollub, President and CEO, Occidental Petroleum 
Nicke Widyawati, CEO Pertamina
Shemara Wikramanayake, CEO & Managing Director, Macquarie Group
Tricia Griffith, President & CEO, The Progressive
Jessica Tan, Co-CEO Ping An
Judy Faulkner, Founder & CEO, Epic Systems
Tokiko Shimizu, Executive Director, Bank of Japan
Donna Langley, Chairman, NBCUniversal Studio Group & Chief Content Officer, NBCUniversal
Jennifer Salke, Head of Amazon Studios
Roshni Nadar Malhotra, CEO HCL Corporation & Chairperson,, HCL Technologies
Jenny Johnson, CEO, Franklin Templeton
Yuriko Koike, Governor Toyko
Hana Al Rostamani, Group CEO, First Abu Dhabi Bank
Suzanne Scott, CEO Fox News
Lynn Good, Chairman, President & CEO, Duke Energy
Sinead Gorman, CFO, Royal Dutch Shell
Bela Bajaria, Chief Content Officer, Netflix
Melanie Kreis, CFO, Deutche Post DHL Group
Belen Garijo, CEO, Merck KGaA, Darmstadt, Germany And Its Affiliates
Paula Santilli, CEO Pepsico Latin America
Mette Fredericksen, Prime Minister, Denmark
Joey Wat, CEO, Yum China Holdings
Rihanna, Musician
Linda Thomas-Greenfield, U.S. Ambassador To The UN, United Nations
Kiran Mazumdar-Shaw, Founder, Chair And Managing Director, Biocon
Guler Sabanci, Chair, Sabanci Holding
Trudy Shan Dai, CEO, Taobao And Tmall Group, Alibaba Group
Debra Crew, CEO, Diageo
Robyn Denholm, Chair, Tesla
Solina Chau, Cofounder, Horizons Ventures
Lee Boo-jin, President And CEO, Hotel Shilla
Robyn Grew, CEO, Man Group
Zuzana Caputova, President, Slovakia
Mary Meeker, General Partner, Bond Capital
Makiko Ono, President And CEO, Suntory Beverage & Food
Ngozi Okonjo-Iweala, Director-General, World Trade Organization
Mpumi Madisa, CEO, Bidvest
Melanie Perkins, CEO and Co-Founder, Canva
Dominique Senequier, Founder & President, Ardian
Raja Al Gurg, Group MD & Chairperson, Easa Saleh Al Gurg Group
Julia Gillard, Chair, Wellcome Trust
Samia Suluhu Hasan, President, Tanzania
Xiomara Castro, President, Honduras
Kirsten Green, Founder And Managing Partner, Forerunner
Choi Soo-yeon, CEO, Naver
Jenny Lee, Senior Managing partner, Granite Asia
Mo Abudu, Media Mogul, Philanthropist, Founder, EbonyLife Media
Mia Mottley, Prime Minister, Barbados
Phoebe Philo, fashion designer
Mira Murati, CTO Open AI
Janet Truncale, CEO Elect EY
Karin Keller Sutter- Switzerland Finance Minister
Lisa Dyson, CEO Kiverdi and Air Protein
Marina Silva, Minister of Environment, Brazil
Marie-Claire Daveu, CSO Kering Group
Barbara Kingsolver, Author, Publizer Prize Winner
Lola Shoneyin, Writer and Festival Organizer
Narges Mohammadi, Activist, Nobel Peace Prize Winner
Katalin Kariko, Biochemist, Nobel Peace Prize Winner
Olena Zelenska, First Lady, Ukraine, Screenwriter
Elizabeth Maruma, Assistant Secretary-General of the United Nations and Deputy Executive Director of the United Nations Environment Programme
Kamala Harris, Vice President of the United States
Sheryl Sandberg, former COO of Meta, LeanIn.org
Virginia (Ginni) Rometty, former CEO of IBM and current Co-Chair of OneTen
Dolly Parton, Entertainer, Philanthropist
Judith McKenna, President and CEO of Walmart International
Cynthia Marshall, CEO Dallas Mavericks
Kathrin Jansen, Former Head of Vaccine Research and Development at Pfizer 
Esther Perel, Author and Therapist
Mel Robbins, Author and Speaker
Radhika Jones, Editor-in-Chief of Vanity Fair
Whitney Wolfe Herd, Founder and CEO of Bumble
Marie Eitel, Founder and Chair of the Nike Foundation and Girl Effect 
Katrina, Founder and chair of Stitch Fix
Holly O’Neill, President Retail Banking, Bank of America
Katerina Sakellaropoulou, President of Greece
Saara Kuugongelwa, Prime Minister of Namibia
Maia Sandu, President of Moldova
Shonda Rhimes, Television Producer and Screenwriter
Rachel Hollis, Author and Speaker
Hannah Fry, Mathematician, Academic, Speaker, host
Shani Dhanda, British Disability Activist
Robin Roberts, Television Broadcaster
Elaine Zhou, Chief Technology Officer, Change.org
Alissa Abdullah, Chief Security Officer at Mastercard
Yamini Rangan, CEO of Hubspot
Dr. Lauren Goodwin, chief information officer for NASA’s Johnson Space Center and White Sands Test Facility
Sonia Sotomayor, Supreme Court Justice
Geetanjali Shree, Novelist
Serena Williams, Athlete
Karen Lynch, CEO CVS
Tarciana Paula Gomes Medeiros, President and CEO of Banco Brazil
Buckham Gallery is funded by the following organizations:
Generous support is provided by the Charles Stewart Mott Foundation.

​
This program is sponsored by the Greater Flint Arts Council Share Art Genesee Grant Program made possible by the Genesee County Arts Education and Cultural Millage funds. Your tax dollars are at work!
Picture
Privacy Policy
  • Home
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    • Exhibition Opportunities >
      • I've Been Here Before-CFE
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      • CLOSED: BYOC Call for Art
      • Jury and PRESENTATION GUIDELINES
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      • Late Winter 2025 >
        • Sara Paula Hoffman- Midwestern Dolls & Ghosts
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        • Jeremy McGirl - Every Little Bit Counts
      • Winter Exhibitions 1/17-2/15/25 >
        • Amanda Edwards | Little Bean Dude
        • Terra Lockhart | We Will Fluoresce Together
        • Eros & Thanatos
      • Winter Exhibitions: Threshold & Snap >
        • Threshold | Emily Scott Beck
        • Snap, National Juried Exhibition
      • November Exhibitions: Brown Bag & Dives, Diners & Drive-Ins >
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        • Located in the Newly Unfamiliar | Laura Carpenter Truitt & Amy Reckley
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      • Spring Exhibitions >
        • Bonded thru Threaded Memories | Boisali Biswas
        • Metaphysique, National Juried Exhibition
        • Sculpture, National Juried Exhibition
      • Collectanea
      • Forest Elegy
      • Winter 2024 Exhibitions >
        • High Profile | Ariana Vaeth
        • Donut King | #0591
        • Press Play
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        • Contemporary Realism: Four Artist, Four Voices
        • November Exhibitions >
          • US | Teresa Dunn
          • New Work | Buckham Artist Collaborators
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          • Selected Works Tom Nuzum
          • Among the Folds | Tai Lipan
          • Llamáme Por Mi Nombre | Kiara Aileen Machado
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        • May 4, 2019- Artist Talk with Stephen Halko and Nick Reszetar
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