Parallax 
​Invitational curated by Grant M. Brownlow and Annie Klein

​July 10 - August 14, 2026

Parallax -the shifting appearance of an object from two separate and distinct viewpoints. Spanning across the expanded field of print media, these works emerge from and engage with the fluid and shifting dualities inherent to the post-industrial Midwestern experience. 

The American Midwest is characterized by images and remnants of its history as a region of prolific production. Labor, consumption, and identity are encoded into the aesthetics of its sprawl. Parallax highlights the diverse voices of emerging artists whose work engages with imagery plucked from the Rustbelt. These works include contemplations on formation and renewal in the fly-over states. Just as these works are in dialogue with one another, they also converse with the culture in which they were created, nodding to familiar images of crumbling concrete and anxious ruminations on the future whose weight it cannot withstand.

​Invited Artists: Dustin Brinkman, Grant M. Brownlow, Mary Climes, Zoë Couvillion, Dadisi Curtis, Annie Klein,  Andrew Polk, Jackson Taylor, Kurt Tomerlin, Amy Travis, David Wischer, Erin Wohletz

Inventory

1. Dadisi Curtis Jr., A Tale of Unsanctioned Joy, screen print on fabric with steel fencing and barbwire, 108” x 56”
2. Grant M. Brownlow, One For The Road (Mack’s Eyes), aquatint and etching, 17.5 x 14”
3. Andrew Polk, Land of the Free, stone lithography, 27” x 40 ½”
4. Amy J. Travis, Highway of Saints, lithograph, 20” x 16”
5. Amy J. Travis, I - 70, lithograph, 20” x 16”
6. Jackson Taylor, Lanterneye and Vertical, intaglio on paper, 26” x 18”
7. Grant M. Brownlow, Radium Doll (Turn the Lights Off When You Go), lithograph and screenprint, 20” x 25”
8. Mary Climes, Loves, graphite on stretched paper, 14” x 12”
9. Kurt Tomerlin, Joists, in Place, monotype, graph paper, silkscreen & acrylic paint on poplar frame, 20 ¼” x 27 ¾” x 3 ½”
10. Kurt Tomerlin, Bent Knee, inkjet print, silkscreen, retired shirt, sewing, 22 ¾” x 24”
11. Mary Climes, HDHP (High Deductible Health Care Plan), etching with chine-collé, 12” x 13.75”
12. Jackson Taylor, Supergun Telemetry, lithograph on paper, 27” x 20”
13. Zoë Couvillion, All Ready, monotype on Fabriano Rosaspina with UV printed text on plexiglass, 24.5” x 18.5”
14. Annie Klein, Crop Circles, screenprint, dye pigment, Caran d'Ache in artist's frame, 20x24"
15. Erin Wohletz, Nonbinary, lithography and screenprint on handmade paper, 18” x 18”
16. Dustin Brinkman, A Vessel Between Homes, relief and serigraph print, 24” x 18"
17. Zoe Couvillion, The Set Containing All Numbers Between A & B, monotype on Arnhem Paper, 18" X 22"
18. Erin Wohletz, Handy, lithography, screenprint and mezzotint on handmade paper, 18” x 18”
19. Dadisi Curtis, Split Chains Fake Names, screen print on fabric under black light, 30 x 43 ⅜”
20. Dustin Brinkman Running Back Again, relief and serigraph print, 24” x 18"
21. Andrew Polk, Shelter at Dusk, stone lithography, 22” x 27”
22. David Wischer, Social Circle, screen print on magazine pages and baseball cards, acrylic paint on found objects, 62” x 62” x 3"
23. Jackson Taylor, Wires Everywhere, intaglio on paper, 15” x 12”
24. Annie Klein, Devotional, etching with chine collé in artist's frame, 20” x 16”