BUCKHAM GALLERY
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Deepanjan Mukhopadhyay:
​Appropriated Figure-Grounds

In Conversation: Deepanjan Mukhopadhyay
Artist Statement:
Appropriated Figure-Grounds is a series of images probing the relationships between photographic representation and global figures of power often by investigating the Photographic apparatus itself. Some of these images were created by appropriating online news photographs of the back of political and corporate leaders as well as photographs of their hands during news conferences. While other images show the raw binary data in Hex format of twitter profile pictures of politicians. The images of photographic equipment were sourced from product photographs. Created through digital means, the aesthetics of some of these images incorporate artifacts such as flash-lit dust and/or precipitation, camera shake and motion blur, that are often associated with low light film-based flash photography. The artifacts, that are the points of failure in the representation-making process ironically provide evidence of indexicality and therefore heightens the truth-value of the images. Thereby, these images pretend to be straight photographs. However, closer investigation reveals that these photographs are not only composited but also have digital artifacting in certain cases.
There is a history of artists hijacking and thereby complicating the aesthetics that result from photographic technology. Images in this series specifically relate to Gerhard Richter’s series of paintings 18. Oktober 1977 based on photographs of the Baader-Meinhof Group- not only in their aesthetics, but also in their investigation of representation and power. What does it mean to produce and propagate photographs of global political and corporate leaders? What does it mean for the consumers of these images to have access to representation of these leaders? Does access to these photographic representations have any connection to the political and economic representation and in turn agency for consumers and political supporters?

Biography:
Deepanjan Mukhopadhyay works in photography, video, installation, sculpture, and new media, investigating shifting meanings within post and neocolonialism while still reflecting on the very mediums of representation that he uses. Deepanjan is originally from Kolkata, India, and received his MFA in photography from the University of Georgia. He currently holds the position of Professor of the Practice in Photography at University of North Carolina, Chapel Hill. Deepanjan’s work has been published in ​Aperture.org​, Burnaway, and PDN Magazine. He has also received honors for his work from Society of Photographic Education, 2015 PDN Photo Annual, and was named one of the Atlanta Celebrates Photography 2017 Ones to Watch. His work has been exhibited in India, Canada, and across the United States in galleries such as Aperture Gallery, New York, NY, and Elizabeth Houston Gallery New York, NY.
​

Buckham Gallery is funded by the following organizations:
Generous support is provided by the Charles Stewart Mott Foundation. 

Our activities are sponsored in part by an award from the MICHIGAN ARTS AND CULTURE COUNCIL  and the NATIONAL ENDOWMENT FOR THE ARTS. 
​

This program is sponsored by the Greater Flint Arts Council Share Art Genesee Grant Program made possible by the Genesee County Arts Education and Cultural Millage funds. Your tax dollars are at work!
Picture
  • Home
  • Exhibitions
    • June Solo Exhibitions >
      • Oasis of Symmetry | Aisha Changezi
      • Late Stage Block Party | Adrian Hatfield
      • Everted Sanctuaries: Exquisite Contortions | Ryan Lewis
    • In Conversation
    • Exhibition Opportunities >
      • 2024-2025 Season Call For Entry
      • PRESENTATION GUIDELINES
    • 2022-2023 Exhibition Schedule
    • Selected Past Exhibitions >
      • April Exhibitions >
        • Sam Morello Selected Works
        • Small Works - National Juried Exhibition
        • Teeth & Hair - National Juried Exhibition
      • Late Winter Solo Exhibitions >
        • Tokens and Traces | Jeanne Ciravolo
        • Between Here and There | Kimberly LaVonne
        • A Reckoning in Pink | Danielle Mužina
      • January Solo Exhibitions >
        • Crawl Space | Guen Montgomery
        • Portraits of Home | Whitney Lea Sage
        • Interior Visions: Domestic Sphere | Stephanie Serpick
      • Early Winter Exhibitions >
        • Empty Road, Great Tornado - Emmett Merrill
        • Nice Things for Nice People - Kate Snow
        • Recent Work - Michael Melet
      • November Exhibition >
        • Buckham Artist Collaborators
        • On Screen: A Showcase
      • 101 Artists
      • Ojichaagwan Vessels- Guy Adamec
      • Caution: May Contain Nudity >
        • Donovan Entrekin
        • Friends
      • Summer Exhibitions >
        • Heidi Brueckner
        • Craig Hinshaw
        • Michael Weigman
      • Early Summer Exhibitions >
        • Barriers & Preservers | Margaret Davis
        • Endless Endeavors | Benjamin Muñoz
      • BIPOC is The Theme! >
        • BIPOC Artists for Feature Exhibition
        • Viewing Room
      • Late Winter Exhibitions >
        • Dialectics and the Decommodified: The Spectres of Capital- Morgan Craig
        • Textures of the Southwest- Robert Huebel
        • All the Pretty Little Horses- Chris Waters
      • Small Talk >
        • Viewing Room
      • December Exhibitions >
        • Horizons | Emily Legleitner
        • Indexing Schizophrenia | Diane Zeeuw
        • Seeking Solace | Rebecca Zeiss
      • Black & White
      • Entropy >
        • Viewing Room
      • 2021 Exhibitions
      • 2020 Exhibitions
      • 2019 Exhibitions
    • Art Money
  • Events
    • Calendar
    • B.Y.O.C.
    • Flint ARTWALK
    • Cider & Slides
    • Past Events >
      • Past Artist Talks >
        • 2022 Smallidge Lecture
        • Jan. 10, 2020: Artist Talks with Ardea Thurston-Shaine and Dominique Chastenet de Gary
        • Tommy Mintz, Nov. 2019
        • 2019 Smallidge Lecture
        • June 2019: Panel Discussion with John Dempsey, Guy Adamec, and Amy Gibas
        • May 4, 2019- Artist Talk with Stephen Halko and Nick Reszetar
        • April 13, 2019 ​Artist Talk and Deviant Life Drawing Session with Jeanine Leclaire
      • Open Mic
  • PROJECTS
    • BFAP: On Screen >
      • On Screen Artists
      • FAQ
    • BFAP: Interns
    • BFAP: Writer in Residence >
      • Bob Campbell
      • Natasha Thomas
      • Shea Phire Cobb
    • Collaborators at Karmanos
    • Emerging Artist with UM-F >
      • My Proulx
  • About Buckham
    • Mission Statement
    • Board and Staff
    • Buckham Arts Collective
    • Buckham Community Membership
    • Founders Feature >
      • FOUNDERS FEATURE: THOMAS NUZUM
      • Founders Feature: Sam Morello
      • Founders Feature: Ken Kinyon
      • Founders Feature: John Dempsey
      • FOUNDERS FEATURE: GUY ADAMEC
    • History
    • 2022 Annual Report >
      • 2021 Annual Report
      • 2020 Annual Report
    • News/Press >
      • Archives
    • BAC 2022-2023 >
      • 2022-23 BAC Renewal
      • Bylaws
      • Policies
  • SUPPORT
    • 2022-2023 Annual Fund
    • Community Membership
    • Online Shop
    • Buckham Donors
  • Visit
    • CONNECT